I’ve been having a bit of a Kasie West binge lately. She’s a popular contemporary author (and all her stuff is super clean – bonus!) but I hadn’t picked up any of her books until I found “On the Fence,” one of her early novels, at a used bookshop for a dollar, and “The Fill-In Boyfriend” at the library the same day. I’d never read any of her books, but I was looking forward to “Maybe This Time” (which will be reviewed later – I have it in my possession but have yet to read it), so when I enjoyed both of those books, I decided to check out her other works to prepare myself.
Yes, all eight of them. (Except the “Pivot Point” duology, because I didn’t want to read them, and “The Distance Between Us,” because my library somehow doesn’t have it.)
And after the initial two, I read all of them in five days. I know. The things I do for this blog. (JK…I really enjoyed it.) So, being the competitive soul that I am, I’m going to rank them, least favorite to favorite. But there are a few things to realize here.
While on this massive binge, I realized that most of these books follow a sort of formula, tweaked a little for each story. I like finding patterns in related media (during the Christmas season, I love to find and point out the recurring similarities in every Hallmark movie I watch), and I noticed that there are certain things that ALWAYS show up in Kasie West’s books. That isn’t a knock on her work – hey, I still love it – but there are definitely a lot of observable patterns and recurring motifs here to keep in mind as you read. Re the list I made in my reading journal, they are as follows: [there are a few spoilers here, so be careful when you see something in brackets!]
- California or Bust: set in southern or central California (this is true of 6/8 books – “P.S. I Like You” was set in Arizona and “By Your Side” took place in Utah).
- Fractured Friendships: features a tight-knit friend group or pair of friends experiencing drama. This is definitely my least favorite of what I call the “Kasie West Archetypes,” or KWAs. [Examples: Gia vs. Jules in “The Fill-In Boyfriend”; Lily and Isabel’s fight in “P.S. I Like You.”]
- Three’s a Crowd: involves a quasi-love triangle that never truly threatens the endgame pairing. [Examples: Autumn, Dax, and Jeff in “By Your Side”; Charlie, Braden, and Evan in “On the Fence.”]
- Branching Out: the events of the book spark a new friendship between the protagonist and someone she’d never expect to befriend – said new friend sometimes further removes her from her former friend group. [Example: Maddie and Trina in “Lucky in Love”; Gia and Bec in “The Fill-In Boyfriend.”]
- Family Ties: there is some sort of tension in the protagonist’s family life. [Examples: Maddie’s dysfunctional family in “Lucky in Love”; the strain placed on Charlie’s family life by her mother’s death in “On the Fence.”]
- Lost in Translation: the plot hinges on on misunderstandings and mishaps that prevent the endgame couple from admitting that they like each other until the end of the story. [Examples: Abby’s botched confession in “Love, Life, and the List”; Cade and Lily’s refusal to make amends in “P.S. I Like You”].
- Know Thyself: the protagonist undergoes some sort of process of self-discovery. [Examples: the Heart List in “Love, Life, and the List”; Charlie’s exploration of femininity in “On the Fence.”]
- Lies of Omission: features a fight resulting from the romantic leads, or the protagonist and her friends, hiding things from each other. [Examples: Maddie’s lottery win and the article leaker in “Lucky in Love”; the entire Bradley debacle in “The Fill-In Boyfriend.”]
I know. I’m a geek who loves to analyze books – what can I say? But I swear this actually has a purpose. Given that all of these books largely conform to those basic criteria, I have an easy metric for ranking them: a) which books use those archetypes in the most creative and compelling ways, and b) which books diverge the most from those archetypes to show versatility? Granted, simply judging by how much I enjoyed the book is going to be a part of this as well, but keep those KWAs in mind as you read through this list.
8. The Fill-In Boyfriend”

KWAs Included: all of them. Literally – all eight are there.
This was the first Kasie West book I read, and it didn’t leave me with the strongest first impression. It was a fine book, but there was nothing particularly compelling about any of the characters. The premise was fun and I love fake-dating tropes, but “The Fill-In Boyfriend” is a lot shallower than Kasie’s other books – most of them are fluffy contemporaries, but they have depth as well, while this one tried to say something (ironically, its message was about turning away from superficiality) that never really got across. It uses all of my least-favorite KWAs to little effect, and it’s a decent story, but not very compelling or creative. Fun but mindless – 3/5.
7. “By Your Side”

KWAs Included: Three’s a Crowd, Branching Out, Know Thyself, Lies of Omission
I really appreciated that this book attempted to cover issues that none of Kasie West’s other romance novels brought up – anxiety disorder, the foster system, consequences of reckless behavior, etc. – and it definitely gets props for that, but “By Your Side” was…well, I hate to say it, a little boring. Autumn and Dax’s time in the library wasn’t nearly as interesting as it could have been (it’s a LIBRARY, for crying out loud!) and none of the characters stood out to me as a particularly interesting person. The only reason it isn’t in the bottom slot is because it doesn’t involve all that many KWAs definitely gets points for sensitive depictions of tough, relevant issues.
Also. Irrelevant but worth mentioning: I can’t hear Dax’s name without thinking of Drax from “Guardians of the Galaxy,” which…is probably not the association I was supposed to make. (There’s also a guy named Dallin. The names are a little offbeat in this one.) 3/5
6. “Fame, Fate, and the First Kiss”

KWAs Used: California or Bust, Family Ties, Lies of Omission
A cute story with a novel premise and a relative dearth of KWAs (it has the least of any of her books, to which I think we owe the unorthodox setting), but…it sort of fell flat. I loved the movie-set aspect (that was very unique and fun) and that it featured Lacey, but I preferred her characterization in “Love, Life, and the List” to her characterization here. On the bright side, I feel like Lacey and Donovan’s romance was one of the more realistic ones (if you can say that of a movie star and her tutor) – it seemed to happen more naturally than a lot of the others – but it wasn’t really swoonworthy. And it had a little less depth than most of KW’s other romance novels. This seems like it should’ve been one of my absolute favorites, but it fell kind of flat. 3/5
5. “P.S. I Like You”

KWAs Used: Fractured Friendships, Three’s a Crowd, Family Ties, Lost in Translation, Lies of Omission (sort of)
I loved the fact that “P.S. I Like You” was about a musician, and the letters were adorable, but I was lukewarm on the characters. Lily and Cade are witty and entertaining but didn’t endear themselves to me the way that my favorite KW couples do. Additionally, their enemies-to-lovers arc – normally one of my favorite tropes – fell flat for me because their exchanges usually came off as unbearably catty, rather than charmingly acerbic. This was a massive improvement over “Fill-In,” and I liked it a lot, but I often found myself wincing at how nasty every single character in this book could be to the others. (Not just Cade and Lily – Sasha, Cade’s original love interest, was even worse.) This definitely would’ve been high up on that list if the constant stream of insults had been toned down a little. 4/5
4. “On the Fence”

KWAs Used: California or Bust, Know Thyself, Branching Out, Lies of Omission, Branching Out, Lost in Translation
I think my favorite thing about this was that it wasn’t afraid to be heavier than KW’s other books, but I liked a lot of things about it. Charlie was a very likable, down-to-earth character; I *love* that the romance sprang from years of friendship, which made it feel very real; Charlie’s growth and self-discovery is done much better than it is in most KW books in that it doesn’t cause Massive Amounts of Drama, and the family’s dynamic was really sweet. Charlie’s new job and the period of self-discovery that it sparked were really satisfying to me, for some reason, and I loved her family. It was because of the book’s focus on the family that allowed it to get a lot heavier than I expected (to minimize the spoilers: Charlie’s family experienced something very tragic and disturbing, which Charlie represses her memories of). Having that aspect to the story allowed it to get a lot deeper and more meaningful; it was sensitively handled, and the fact that the family was still loving and supportive even though they didn’t fully understand Charlie was wonderful. “On the Fence” had a good balance of depth, fluffy romance, and self-discovery – really excellent. 4.5/5
3. “Love, Life, and the List”

KWAs Used: California or Bust, Branching Out, Three’s a Crowd, Family Ties, Lost in Translation, Know Thyself
NO FRIENDSHIP DRAMA. That alone secures this one a top slot. But it’s also a super unique premise with characters I really enjoyed. The fact that it couldn’t fall back on the drama subplot forced “Love, Life, and the List” to avoid a few of the KWAs I don’t particularly like, and the story’s resolution felt fresher for it. Also, I want to do a Heart List now! And can we get a hallelujah for an intact friend group? (Also, Lacey is DELIGHTFUL, and definitely my favorite of the Unexpected New Friends in these books. She’s great and I can’t wait to finish “Fame, Fate, and the First Kiss,” where she’s an MC!) 4.5/5
2. “Lucky in Love”

KWAs Used: California or Bust, Fractured Friendships, Branching Out, Family Ties, Lies of Omission
No one raves about this book, which totally mystifies me. I *loved* it. It has a fun premise, the best set of KW protagonists by far, A ZOO, and an absolutely adorable romance. Studious, happily-married-to-my-GPA protagonists are my favorite thing ever (because hello, self-projection!), which meant that I was automatically going to love Maddie. I saw a lot of myself in her even outside of that – she loves animals (yup), feels responsible for other people’s happiness (yup), and trusts others too readily (YUP). And SETH. Oh, Seth, you are a treasure. He was a soft friendly boi who I would 100% swoon over IRL. And the fact that their relationship takes place at a zoo – the place I spent most of my most formative childhood moments – is !!!. That’s enough for me to overlook the fact that this is one of the most petty-drama-filled KW books, easily. Yes, I cringed at times (I’m not kidding about the level of drama here), but it was more than worth it. 4.75/5
1. “Listen to Your Heart”

KWAs Used: California or Bust, Fractured Friendships, Three’s a Crowd (well…sort of a love square?), Lost in Translation, Know Thyself, Lies of Omission
I think the reason I chose “Listen to Your Heart” as my favorite KW novel is its freshness. It uses all the same archetypes as her other books, but the way it’s all presented is so new that they don’t feel like the same plotlines. The podcast was super fun and a very unique way to frame the characters’ struggles; the setting was probably my favorite out of all of the ones I’ve read (it had serious Lake Tahoe vibes); and Diego and Kate had wonderful chemistry. (Also, Diego is a SMOL BEAN, and I want to know where I can find one of those.) Because it pulls off a compelling story and introduces instantly likable characters while putting a fresh spin on the classic KWAs, “Listen to Your Heart” takes top honors in this non-definitive ranking.
Okay, how off am I? Do you guys agree or disagree with my rankings? Please let me know in the comments, and be on the lookout for a review of Kasie West’s latest (as yet unread by me) novel, “Maybe This Time,” coming soon!