Posted in Interviews

An Interview with Sara Fujimura, on “Every Reason We Shouldn’t”

Hey, all! Super stoked to bring you a new interview – this one with Sara Fujimura, author of the upcoming figure skating rom-com “Every Reason We Shouldn’t”! (You can check out my review of that here: REVIEW: “Every Reason We Shouldn’t” by Sara Fujimura).

1. As a former figure skater who spent many years in the sport, I was extremely excited when I heard about this book, since figure skating is not the most common subject of YA novels (understatement). What made you decide to write about it – personal skating experience, or something else?

 

I love to watch skating (all kinds), but I am not particularly good at it. What inspired Every Reason We Shouldn’t was Apolo Ohno’s autobiography No Regrets. I was completely fascinated by the account of his teenaged years. Specifically, when Ohno was at the crossroads and wondering if he should quit the sport all together because his raw talent was no longer enough. Jonah’s character actually came to me first, and Apolo Ohno very much influenced him. I saved the crossroads story for Olivia though. I have two ultra-talented girls (now young women) in my life, and I got to see—thanks to their moms—what it’s like to be that one-in-a-million teen and all the unique challenges that come with being that high level of athlete/performer. One is a dancer and the other a singer, but I wanted a girl who was into ice sports to work better with Jonah’s character. As super cheesy as it is, I love The Cutting Edge. I wanted to write an updated (and much more realistic) version of the movie with teen skaters.

 

2. Again on the topic of skating: as a skater and avid fan of the sport, I’m extremely picky about how the technical side of figure skating is portrayed in fiction (okay, maybe I’m a little bit of a snob…), and in “Every Reason We Shouldn’t,” you absolutely nailed it! What did you do to research that resulted in such an accurate portrayal of the figure skating world?

 

Thank you! All of my books have a lot of “fact behind the fiction,” but ERWS had a steep learning curve for me. I started as a journalist, so I take my research very seriously. I read everything I could and watched countless videos and tutorials. I also sought out people who were experts (or at least experienced) in all the areas I am not. Do you know who has a ridiculous depth of knowledge on everything figure skating? Author Courtney Milan. Her remarkable, super nit-picky notes helped me take this book to the next level. Obviously, it paid off if I passed your test despite being a crap skater in real life myself.

 

3. What would you say your “mission statement” as a writer is, and how does “Every Reason We Shouldn’t” tie into that mission?  

 

“I write stories for adventurous, intelligent, globally-minded teens who aren’t afraid to love someone outside of their own ethnicity.”

 

One of the biggest compliments I’ve gotten for ERWS is that people feel like my characters are people they would want to be their friends. Yes, Olivia and Jonah are unique and sometimes straight-up “extra,” but I think they mirror my readers who are maybe unintentionally looking for someone like themselves. 

 

NOTE: Question #4 could get a little spoilery! Proceed with caution if you haven’t read the book yet.

 

4. After reading “Every Reason We Shouldn’t,” one of the things I’m most conflicted about is how I’m supposed to feel about Stuart (Egg), Olivia’s pairs partner. Given his actions at the end of the book, he comes off pretty strongly as a jerk, but he’s also, before that, a decent friend and partner to Olivia. Thus, I’m very torn between seeing him as the villain for abandoning her and seeing him as a sympathetic but flawed friend. Obviously, readers like me have to make that call themselves (I’m leaning towards “selfish jerk” right now), but what do you, as the author, think of Egg: sympathetic or deplorable?

 

People may disagree with me, but I sympathize with Egg, who is at a crossroads in his life and makes a wise (if a bit jerky) decision to put himself first for a change. Egg knows he’s not good enough to skate at an Olympic level and for him to invest another four years of his life to live Olivia’s dream would be unauthentic. (On a smaller scale, think about the people who may sit first chair in their high school’s band, but don’t go on to study music at college. Music can still bring them joy even if they know they don’t have what it takes to play professionally.) ERWS wasn’t about Olivia winning a gold medal either, and not all my readers are on-board with that. I wrote it for all the teens standing at the crossroads in their own lives. For when the thing they love the most (and maybe have a ton of raw talent for) has suddenly gotten too hard and they are questioning if they are at the end of their journey or if they should push through the pain/frustration to see if they can make it to the very top. It’s one thing when you are injured or cut from a team. There the decision is made for you. It’s when YOU have to decide whether to continue or not that things get interesting (and more relatable to many people). That’s what I wanted to explore in ERWS. To keep Egg and Olivia together was the safe choice and wouldhave held both of them back from being the best versions of themselves. And as much as I would love to have gone all Cutting Edge with Olivia and Jonah, *every* skater (including former German Olympic pairs skater Mirko Goolsbey) said that it would be impossible.

  

End of spoilers! You’re safe again 😉

5. To wrap up, this is sort of a standby question for me in author interviews: how would you describe Every Reason We Shouldn’t in six words? 

 

Yuri on Ice meets Cutting Edge

POST-INTERVIEW PERSONAL CAVEAT:

Having gotten the author’s insight on her book, I can honestly say that I love “Every Reason We Shouldn’t” even more. Thinking about the theme of crossroads in this novel, I’m brought back to the moment in tenth grade when I had to make my final choice: whether to pursue skating even though I’d hit a plateau and had little time to train anymore, or whether to focus on academics as I had been doing my first two years in high school with the added bonus of being able to pursue theater with my extra time. Though I was never even close to Olivia’s level as a skater, it was an all-consuming passion for much of my childhood, and I’d given up a lot to pursue it even at the level that I did. I’d spent every single morning of each summer between 6th and 11th grade at the rink, put countless hours into training, and, sadly, probably wrecked any chance I ever had at developing a healthy body image by the age of 16. So that feeling of grasping at straws that you feel when you realize it might be time to move on from a dream is one I felt wholeheartedly. As you can probably guess, I quit skating, and if I’m honest, I don’t regret it. But I’ll always remember how hard those last months were, realizing I was never going to reach my childhood dream. (And that feeling kind of never goes away. Ms. Fujimura’s example of the musician in their school band was almost uncanny because I’ve also played the violin since I was nine. As I struggle with tricky runs in the Tchaikovsky concerto that most of my orchestra friends could play in their sleep, I face the realization that I have to figure out how music, a passion I’ve pursued practically forever and am never going to “make it” in, will play into my life as I prepare to graduate from high school.) For a senior in high school, that stuff is huge and never really lets up, so knowing that “Every Reason We Shouldn’t” was written about a character who feels the same way, with the intention of bringing comfort to teenagers who don’t know what comes next for their passions, makes me love it all the more. This book came to me at just the right time, and I hope those of you who choose to read it come March (and I hope all of you do) feel the same way.

Posted in Interviews

AUTHOR INTERVIEW: Taylor Simonds on “Collateral Damage”

GUYS. READ THIS BOOK.

*clears throat* okay, now that I’ve gotten my mandatory “Collateral Damage” endorsement out of the way, I’m SO excited to bring you…*more* CD content! I’m so pumped to have been able to interview its esteemed authoress, Taylor Simonds – she’s a total sweetheart AND we got to geek out about superheroes, which is always a plus. So…I can’t wait to present you with my second-ever Author Interview!

  1. Superheroes are very on-trend in pop culture right now. Are there any specific stories, characters, franchises, films, comics, etc. that particularly inspired you to write a YA novel about them? If yes, how did those inspirations carry over to the page, and what changed?

*COMBINED WITH the below because they have the same answer* 

  1. Where did you get the idea to tell a story about superheroes from the perspective of someone who not only isn’t one, but rather dislikes them? I’ve never seen that outsider-perspective take on a superhero story before and am curious as to what sparked that idea. 

 

(I’m cramming these two questions together because they’re the same answer lol)

So I actually first got the idea for COLLATERAL DAMAGE while watching Man of Steel back in my senior year of high school (seven years ago). It’s so bad. It’s such a bad movie. And on top of being bad, I remember watching the giant fight between Superman and Zod at the end that goes on for way too long and destroys absolutely everything, and thinking to myself, “Wow, what if you were just like, trying to go to work, and then this happened? Why would you ever want to live in a city where Superman existed?” And by this point the movie was so slow and the fight was going on for SO MANY MINUTES that I started doing that in my head, narrating what background extras might be thinking if they were stuck in this scene. “Dammit, I just paid off this car.” “So…trains are gonna be late today, then?” “That’s it. I’m moving.” And then I was like, “This would be a fun book. I’m gonna write this book.” So. Wrote the book.

But in terms of what media actually influenced me while I was writing, I looked to Teen Titans and The Avengers for superhero team dynamics, the relationships between Lois Lane/Clark Kent, Gwen Stacy/Peter Parker, and Iris West/Barry Allen for how super-powered people interact with the non-powered people they care about, Deadpool for humor, Spider-Man for setting, The Incredibles for satirizing common elements of the genre without disrespecting it… there’s a long list.

 

  1. One of the highlights of “Collateral Damage,” for me, was the witty banter between characters. What did maintaining that kind of humorous back-and-forth in the dialogue require? How’d you develop character voices that were distinct enough to make that kind of banter work?

Ahh, thank you so much!! I’m really glad people seem to be liking the banter, it’s kinda my favorite part too. There’s a few different things I did to make each character feel unique, but I think the most consistent was just constantly reminding myself that if I couldn’t imagine one of my real-life friends saying something I’d written down, it probably didn’t belong on the page. Even fictional characters should still talk like real people. But I watched a lot of ensemble comedies—lots of Brooklyn Nine-Nine, New Girl, Parks and Rec, etc.—which are such great examples of how to balance lots of differing personalities with unique humor. I also had a reference sheet of fictional personalities that matched not just individual characters overall, but how they interacted with others or their surroundings in different situations. Meg is the best example of this: her list was full of sarcastic voices I love, including Mia Thermopolis, Veronica Sawyer, Haruhi Fujioka, Darcy Lewis [AUTHOR’S ADDITION: not gonna lie, I did a little squeal when I saw this. DARCY IS AN ICON. “Meuhmeuh? What’s muehmeuh?”],  Alex Russo. So no matter what scene I put her in, if I lost my momentum and wasn’t sure what she might say or do next, I could use one of these references as a base to work from—Haruhi is the only person in Ouran High School Host Club who gets irritated instead of seduced by the host boys’ antics, so she was a great reference for how Meg acted around the Supers that everyone else loves, for example. Mia Thermopolis just keeps on truckin’ even though she’s invisible and her life is sad, making her a good base for Meg’s setup at the beginning of the story (I had a screenshot of her muttering resignedly “Someone sat on me again” saved to stare at while writing the opening chapters).

Making reference lists like this as well as making myself as familiar with my characters as possible made imagining them as real people easy, and the dialogue just sort of followed naturally.

  1. The one question I must unerringly ask in every author interview: how would you describe your novel in six words? 

Mia Thermopolis living in Marvel’s NYC.

 

  1. If you had to describe “Collateral Damage” to a prospective reader but could *only* use pre-existing, popular superhero movies to explain its vibe, plot, characters, etc., which ones would you use? Similarly, to what heroes would you compare your characters?

 

Ooh! Okay, satirical elements/tone of The Incredibles meets characters of Big Hero Six meets plot of Into the Spiderverse meets comedy of Deadpool. And for the heroes… good thing I’ve got my *whips out desktop folder* REFERENCE FILES. Here we go:

 

SuperVariant One—Raven, Negasonic Teenage Warhead

 

SuperVariant Two—Spider-Man

 

SuperVariant Three—Superboy, Nightwing

 

SuperVariant Four—Kid Flash, Beast Boy, Chat Noir

 

  1. If “Collateral Damage” was going to be made into a movie/TV series, who would you want to be cast as the characters if you could only use actors/actresses who had already played superheroes in other shows/movies?

 

Oh DANG. That had only played other superheroes?? Okay. Oliver first, because he’s easiest: I’ve been yelling since I saw The Umbrella Academy that Justin H. Min (Ben Hargreeves) is my Oliver. Done. Danielle Panabaker would be Juniper, because one of Juniper’s character references is Cait Snow, who Danielle plays in The Flash. Robbie Amell would be Three/Sam, which is fun because he played Ronnie Raymond on The Flash as well. Brianna Hildebrand (Negasonic Teenage Warhead) would be One. Ryan Potter (Beast Boy) would be Four. I can’t cast Two! It’s a spoiler! The whole middle of the book is about Meg figuring out his identity. And Meg… I’m so reaching because Gwen Stacy wasn’t TECHNICALLY a superhero in The Amazing Spider-Man, but I’m snagging Emma Stone from that and cramming her into her hair color/ personality from Easy A, and that’s Meg. But let it be known that Liv Hewson is my Meg forever.

 

*WARNING! LOTS OF FLASHING LIGHTS AND CAUTION TAPE HERE, FOLKS, I AM NOT KIDDING ABOUT THIS BEING A  M A S S I V E  SPOILER! SO LIKE, YEAH, AVERT THOSE EYES IF YOU HAVEN’T READ THIS, DEAR READERS!*

  1. Lastly, and this is very trite but I had to ask: if Meg and friends are now a superhero team…WHAT ARE THEY CALLED? Now that they’re no longer associated with the SuperVariant program, will they have cool aliases? Inquiring minds want to know.

I really tried to think of a team name, but all I could think about was how much Meg would hate having to come up with a team name. So I wrote that instead. BONUS SCENE

 

We’re exactly fifteen seconds into enjoying the movie, and then Sanjeet gasps.

 

“What? What?” I yell, thinking the wall’s ruptured or something.

 

“Team name!” he cries. “We need a new squad name!”

 

I groan, sinking further into the couch. “A squad—now? You want to do this right now, right in the middle of—” I look from the gore onscreen to Penny and back. “What are we even watching?”

 

She shrugs and increases the volume without moving.

 

“I mean, we can’t really call ourselves SuperVariants anymore,” Juniper admits. “The name sort of implies we’re… you know. Varied. Different.”

 

“Right.” I nod fervently. “And we’re not. Because everybody is.”

 

“ ‘The Revengers,’” Oliver suggests, panning his hand like he’s making a banner in mid-air. “ ‘The Defenders.’”

 

“Those are both definitely already taken.”

 

“ ‘The Originals.’” A second invisible banner painted below the first. “Because we were Super before everyone else.”

 

“That’s a show. About vampires.”

 

He flicks a piece of popcorn at me, too fast to track until it’s hitting me in the face. “You pick one, then.”

 

I don’t want to pick one. Picking a superhero squad name would indicate that that’s what we are—heroes. And we’re absolutely not. There’s gonna be no more saving of citizens in this house. People can take care of themselves now.

 

We’re all officially retired.

 

But they’re all staring at me, Sanjeet and Juniper looking hopeful, Oliver looking like he’s waiting for the punchline to a joke, and even Penny emanating a vague, near-intangible interest, so I give up. I’m about to say something purposely dumb, something that’ll make Oliver groan, like the “A-friend-gers,” but then I realize that against my will, I actually have an idea I don’t hate.

 

“Team Trashface,” I say. “Okay? Superhero squad name. Now watch the movie.”

 

^^Non-spoiled readers: don’t look at that either.

*SAFE TO LOOK NOW. CONGRATULATIONS! YOU’VE SUCCESSFULLY RUN THE SLOW-AND-PAINFUL-SPOILERY-DEATH GAUNTLET!*

*Extended high pitched squealing*

Okay, okay. I got it out of my system.

But let’s face it, I will never stop screaming about this amazing book and its wonderful authoress and I am 100% okay with that. Seriously. If this interview didn’t make you want to read this, whomst even are you? (Nah, it’s cool, but still. *gently prods you with book*)

I’d like to extend a hearty thanks to Taylor for letting me interview her and for her thoughtful answers, of course. And if I’ve said it once, I’ll say it a hundred times:

READ.

THE.

FREAKING.

BOOK.